As I can see from this article, the so-called ‘forks’ are a collection of several types that cannot be interoperable in the design category, and the question raised by the article is: what should we do when we encounter this kind of fork? Regardless of the design, the reason why the fork is convenient to use is because it has non-interoperable but parallel fork tips. There is no competitive relationship between the fork tips. They are cooperative relationships to ensure the stability of the fork when used. This theory is the same in design. Because of the diversity and comprehensiveness of design, it can penetrate every corner of human history and the future.
The diversity of design refers to the number of types that a design has, put it in the ‘fork theory’, which is the number of fork tips that a fork has. The most important thing in this article refers to the design of process design and way of thinking. It is not only a visual presentation, nor a technical presentation, but a combination of vision and technology. This point of view is for me It is very useful, and I will apply it to future design projects.
The comprehensiveness of the design refers to the breadth of knowledge involved in the design. In this ‘fork theory’, it is the width of the fork. The wider the fork, the larger the food it can fork. In this article, it refers to the history of design and the future. Craft design is the humanistic and historical aspect. Those crafts such as ceramics, jewelry, and even sculptures represent the evolution of humanistic history and have historical significance; while the technical design is Innovative designs related to the future of electronics, networks, etc., are forward-looking and pioneering.
Therefore, only when the design fork is complete, the charm and effect of the design will be greater.
